Color - Part 1

Tuesday Tips & Tricks

Let me give you the good news first: color can be learned! Great colorists of the past – Turner, Delacruix, van Gogh – used the science of color. Their color is no accident or chance.

There are numerous theories and approaches to color out there. Many are helpful and can be used for practical purposes with great success. We will discuss one of them - Color Theory by Johannes Itten. Itten is regarded as a father of modern color theory. Some agree and some argue, but the bottom line is that Itten came up with a system to make using color manageable.

In this TTT post we will look at preliminaries, color equations and a color wheel.

Going back to centuries past we want to mention Isaac Newton who discovered that visible light can be split in color bands using a prism and Count Rumford who discovered that those bands can be combined again to make something close to white light. (More on visible spectrum in Wikipedia here.)

Then it was then discovered that an object appears a certain color when white light strikes it because the color of the object is reflected and the remaining light rays are absorbed.

These are fundamentals. More interesting discoveries were made, but what is important for us here is the discovery of subtractive primary colors: red, yellow and blue. This is big! Everything else flows from here. In ideal world adding any two of these primary colors produces a secondary color:

Red + Yellow = Orange

Yellow + Blue = Green

Red + Blue = Purple

Basic Theory – Color Equations and Triads

In basic color theory the primary color cannot be mixed or made from other colors. All the other colors can be created from the primaries. Our color equations look like this:

Note 3 primaries, 3 secondaries, and 6 tertiary colors. They are organized into 3 basic types of triads (primary triad, secondary triad and 2 tetriary triads). These triads make a complete color wheel of 12 colors. If we take these colors and position them in a circle, we will get a rudimental color wheel!

Now this begins to look like something we have seen before. How many of us have an object like this among our art supplies, probably stuffed in the back somewhere because it made irritatingly little sense?

Perhaps now it will make a little more sense! Dig it out and look at it, there is some really neat information on it!

We will stop now, but with return with next TTT chapters on color and discuss color schemes.

Every Visual Creative Should Keep a Sketchbook

Tuesday Tips & Tricks

Thanks to an invitation from Don Yang, Alex Zonis, Wes Douglas, and I recently spoke at the American Academy of Art in Chicago as part of their Visiting Artist Series. My section of the presentation dealt with the value and habit of keeping a sketchbook. I want to share my thoughts with you, too.

I’ve been involved with art for my livelihood since graphic design was called commercial art and cut and paste was literally cut and paste. My first job right out of college was with a small ad agency in Hackensack, New Jersey and let me tell you, I rejoice, everyday, for the miracle of the digital age. 
BUT…

Every Visual Creative Should Keep a Sketchbook!

There are as many different kinds of sketchbooks and as many reasons for keeping them, as there are sketchers but I’m only going to give you five.

Five Reasons to Keep a Sketchbook

1. Practice – the most obvious, 
Drawing is a skill and must be developed. Great athletes, musicians, actors, and artists, we all need to practice to improve and hone our performance. 

2. Record ideas
Keep your sketchbook with you always. Do it! Ideas can be fleeting. How many times have you thought, “Wow, what a great idea. That will come in handy later,” and when later came the great idea was gone? Jot it down or scribble a quick sketch!

What kind of ideas? A scribbled gesture, an eavesdropped conversation, a fleeting image or thought, a color scheme – anything!

Above the Clouds

Leonardo Da Vinci only made a few paintings but we all know him and revere him because of the ideas he recorded in his sketchbooks.

3.Experimentation 
Try out and practice with new media or tools, compositions, play with new styles– again, ANYTHING! 

Disappearing Hancock Building

4. View progress
• Overall progress – the strides you make in your artistic development over a    
  period of time, whether it’s months or years.
• Idea development – the evolution of an idea from the first scribble to finished 
  concept or product.

Family Farmed Button

5. Cheaper than a psychiatrist
This reason may be my own little reason but I share it with you. Waiting used to be a time of aggravation and annoyance for me. Now, I think, “Oh good I can sketch.” I also have more sketches done in hospital emergency rooms than I care to think about  but they kept me calm and sane. And sometimes when I’m “in the zone” it’s like meditation.

At Evanston Hospital

Five Tips for Developing the Sketchbook Habit

1. Love your sketchbook (but not too much.) I’ve had  beautiful books given to me, and some I’ve bought myself and saved them for  something special because they’re “too good” – that’s very inhibiting. It’s one more excuse not to start. Get a sketchbook you like but won’t be upset if you spill your coffee on it or the cover gets scratch etc. Get one that you will  actually use.

2. Carry it with you always (I know I’m repeating myself. It’s that important.) and use it!
I use several sketchbooks at one time, all different sizes. Some are themed – like Urban Sketchers or travel. Some are for convenience or size, a small one in the glove compartment of my car, a tiny one that fits in an evening bag, one  near the TV and the best of all my daily workhorse that is also part journal, part agenda. That’s the one that is in my bag, on my desk and beside my bed. 

3. Get over the first page fear 
If a fancy new sketchbook can be “too precious” the first page in any sketchbook can be intimidating. 
Some ideas that I’ve had success with in getting over the first page roadblock:
• Skip the first couple of pages, go back to them later if at all
• Paint the palette, brush, pencil, the tools that you’re using now
• Set up an index that you can fill in as you go along
• Write a favorite or motivating quote

4. It isn’t for sketches only  (the workhorse) 
Write in it – grocery lists, phone numbers, quotes, notes
Glue stuff in it – business cards, ephemera, travel info, maps, napkin drawings,         random scribbled ideas and thoughts etc.

Granddog- Burling

5. Share some of your sketches 
There is a remarkable community of artists all over the world who connect by sharing their work online. They make hospitable and willing companions to sketch with wherever you may find yourself. They’re only FaceBook post away. Sharing your sketches whether it’s Twitter, FB, Pinterest, or wherever, is also a great motivator and you’ll find inspiration in the work of others. 

The sketchbook habit develops our drawing skills and cultivates that spontaneous work on location that is urban sketching. By keeping a sketchbook and acquiring the sketching habit, urban sketching isn’t something we do but it becomes part of who we are – Urban Sketchers.