Warming up to sketch? Here are some benefits

TUESDAY TIPS & TRICKS

Anybody who has spent time amongst first responders such as firemen, paramedics, military personnel and athletes of all levels (and Chicago winters for that matter) will know that practice, drills and a proper warm up are an essential part of being ready at a moment's notice when duty calls. Practice keeps the team in shape and alert for whatever comes their way. It also lets the team leaders work out the details on how the team will communicate and perform with each other so there is clarity and simplicity across the group. Another part of the practice and drills are in becoming familiar with all kinds of probable scenarios the team may face in real life-or-death situations so that they do not panic under pressure.

Am I suggesting that sketching requires warm up and practice to prepare for life-or-death situations? Not unless you are faced with the eleventh hour of turning in your final project for master's thesis or a big client presentation. What I am suggesting is that there may be some value in warming up your hands and brain before you attempt your sketch. 

Here are some of the main benefits to warming up. What are some of your warm-ups?

MENTAL PREPARATION

• getting yourself in the right frame of mind
• learn to search for a scene that resonates with you
• look for a story to tell and create a sketch that tells that story

PHYSICAL PREPARATION

• loosen up your wrist and arm
• increase your range of motion
• quick studies that help synch up the hand and eye coordination
• play around with basic shapes and scale

BUILDING CONFIDENCE

• practice making mistakes on purpose
• try out new ideas without fear of messing anything up
• test out your drawing tools, make sure they are in working order and find out how they will behave on certain papers

Urban sketching as evidence?

Chicago suburbs: Sometimes the act of urban sketching puts the artist in a real life situation where it is tough to decide when to jump in and help and when to capture the event. The action may happen so fast that the only way to capture the event is by taking a photograph or to have the scene so clearly etched in the mind (such as this one). This sketch was created in 1977 when I used to live on a busy street in the suburbs, at the bottom of a hill where drivers often stop and turn into the subdivision. Often I would hear screeching of tires, slamming on the brakes, and the more rare collisions.  This accident was captured after all of the first responders had arrived and the situation was under the control of the incident commander. I became one of the many witnesses standing across the street to see how the rescue mission would play out and I could then focus on contrast of shapes and the lighting for the nighttime event. Sometimes what the urban sketcher captures may be useful to the police because our observational skills can help piece together the puzzle.