Team Sketching - A Panoramic Party!

Team Sketching – A Panoramic Party! 

with Don Colley and Peggy Condon

Interview by Wes Douglas, Urban Sketchers Chicago

I had the chance to talk with Don Owen Colley, who is a premier illustrator, demonstrator and the co-instructor with Peggy Condon for “Team Sketching – A Panoramic Party!” workshop during the 2018 Chicago Sketch Seminar. 

Here is one workshop that you really should consider.

Wes: Don, it’s good to talk with you again this year and I am interested in this Team Sketching workshop you are leading with Peggy Condon. What should people know and what can they expect?

Don: This Team Sketching workshop is all about the magic of everyone looking at the same scene, the same objects and bring out their own unique vision in sketch form. We take all of these wonderfully individual diverse sketches and arrange them into one large, collective ensemble. This is what I call “The Panoramic Party.”

Wes: Panoramic Party? That sounds like a three-dimensional sensory experience of some kind.

Don: "The Panoramic Party" is what we are calling this workshop. Think of it like the sketchers' conga line. Everyone has a role and is connected to the rest of the group but each person brings their individual interpretation to the sketch. All who sign up for this party are going to have fun, play with new ways to sketch, and discover a whole new way of seeing an urban setting. Others will be jealous when they hear what we're gonna do. 

Check out this example:

Wes: It seems to me that if I am working on a sketch that is part of a bigger, collective sketch, I would need to make sure that all of my lines match up to the next person’s sketch. Is there any concerns about the sketches not matching up or tiling together perfectly?

Don: No, not at all. In fact if you think of some of the pieces you know from David Hockney, where hundreds of individual photos are laid out to create a collective image, but nothing matches up perfectly, that is what we are attempting to do with the Team Sketches. There is perfect in the imperfect.

Did you know that mistakes happen when you are trying too hard to be perfect? So why sweat it? Mistakes are where the best learning happens anyways. This workshop is a safe learning environment where everyone is learning from each other and there is no judging.

Everyone is learning new tips and tricks from each other and bringing their individual experiences and perspectives to the party. That's what makes a team strong. And in this workshop, every team member is important and is needed.

All skill levels are welcome and encouraged. If you are a seasoned artistic professional, a hobbyist or just learning how to draw for the first time, we need you to be part of our team. You have life experiences that no one else has and we need you to make this team work.

If you go to the website https://chicagosketchseminar.wordpress.com and click on the “registration” tab, then click on the “BOOKWHEN” type, it will take you to the list of workshops. The Team Sketching workshop is WS 16 on Saturday morning from 10:00 am to 1:00 pm and Sunday afternoon 2:30 pm to 5:30pm.

So what do you say? Will you be part of the team?

Tackle your Toolbox

Ever put the wrong color on your sketch? Realize you didn’t bring along any water-resistant pens? Forget which pen skips on watercolor paper? Stare at a completely blank sketchbook afraid of making the first sketch? Or maybe you hoard art supplies and can't remember which palette has your favorite yellow? (Oh, maybe that's just me.)

Today’s Tuesday Tips and Tricks is my favorite way to help prevent some of those bumps in happy sketching. It’s especially fun because it involves using your tools!

Sketch & originals of my current palettes and tools

That’s right this is about sketching your tools.

 My solution to help prevent all these problems? Sketch my tools in each sketchbook.

Tools on paper over back cover of S&B Zeta Sketchbook

Depending on the book’s purpose, I like to chart out my tools in the front or back of the notebook.  With my first Stillman & Birn sketchbook, fear of a huge stack of nice blank paper kept it that way for nearly a month. Finally I decided to sketch my palette on the back of the front cover to help me get over my fear. It worked and I’m happily filling it with paintings! However, in the smaller watercolor sketchbooks I carry for Urban Sketching, I prefer to make a chart or drawing in the back. When I’m out sketching I find it easier to reference a chart in the back than in the front. In my Zeta series Stillman & Birn sketchbook, the endpapers are so close to the rest of the pages that I sketch my tools there. Those of you who received sketchbooks at last year's seminar should check the end papers in your sketchbooks--unlike other sketchbooks I've used, these are high quality and can often hold watercolor!

How to get started? Well, you can always just jump in and get started making up your own method. For those of you who less inclined to experimenting, there are great examples by other Urban Sketchers, like Liz Steel with USK Australia, who sketch their tools often. Here are some ideas to get you started and examples from my sketchbooks:

Here I only draw one pen & pencil to represent multiple variations

Pens:

• Draw one pen to represent multiple pens of the same type in different widths. Draw a line from each pen coming from the tip or under the pen and label its size.
• Draw your pens and make a line coming out the tip of each. After all have dried, take a wet brush or q-tip and run it over the lines so you can see (and refresh your memory about) how each pen handles water.
• Draw only your top three favorite pens. Sure your favorite may change in a month or so, but this will help you see which types of pens you like best over time.

Watercolor Pencils:

• Draw a watercolor pencil and a swatch from each color under it. Label each swatch with the color name on the pencil, then wet half of each swatch to see the color wet and dry.
• Make swatches of your pencils inside a rectangle or square to keep your pencils together. Label each swatch with the color name on the pencil, then wet half of each swatch to see the color wet and dry.

This was my first watercolor chart in the back of a pocket Moleskine

Watercolors:

• Draw the palette you want to take on your next sketch outing and fill in each pan with the appropriate color. Leave the     colors flat to see how they’ll look on the paper or practice shading to show the texture of the paint.
• Draw all of your palettes to help you remember which ones have certain colors without having to test them all again.
• Paint a stroke of each color on the page where it would appear in your palette. This quick method is still a great reference in the field. 

What about you, how do keep track of your tools? Are there tools not mentioned here that you bring along to sketch with?

Tuesday Tips & Tricks: Discovering Watercolor Pencils

Down on the Farm – Piermont, NH

Watercolor pencils have been around for a while but until recently, when a student asked me about them, I hadn’t given them a lot of thought. I love the feel of drawing with the pencil on paper and the interaction of color and water on paper in watercolor. Could this be a match made in heaven?

There are many ways to use watercolor pencils. Here are a few to get you started.
This demo sketch was done entirely with watercolor pencils. I used Derwent Inktense watercolor pencils and a moderately-textured 180# paper to explore their potential.

Techniques

1. Pick up color from the point of the watercolor pencil with a wet brush (I used a waterbrush) and apply it to the paper
That’s how I painted the sky in this sketch. I picked up the color onto the brush and ran it like a wash adding wet color as needed.

2. Apply dry pencil marks on dry paper and work with a wet brush.
The barn was done in several layers. First I applied light pencil shading in several colors then bended them with a waterbrush. When that was dry I added more dry pencil for texture and ever so lightly touched the texture with the rigor (liner) brush to activate the color a bit. The windows were added later.

3. Wet the point of the pencil and draw/make marks on the paper. I loved the feel of the wet pencil on the paper in this process! I used the waterbrush to run the different colors together. This technique gives you rich juicy color; note the trees and other darks in this sketch. The windows on the barn were added with a wet pencil point.

4. Add layers of color, shapes and textures. You can work into and push the pencil lines and washes with your brush to add interest to larger shapes.

5 & 6. Run the dry pencil back and forth on sandpaper and scatter pencil dust on the paper for added texture and interest.
5: pencil dust on wet area of the paper
6: pencil dust on dry paper then lightly sprayed with a water (Protect or block off the areas you don’t want affected by the dust and water.)

What do I hope to pass on to you in this post? 

• Mostly, I hope to encourage you to enjoy the process of experimenting. Drawing and painting are verbs. Get lost in the process and the product will come. 
• Discover watercolor pencils if you haven’t already. They’re a very versatile medium.
• Brands of watercolor pencils vary in intensity and softness. Buy a few individual pencils from several brands to find which works best for you. Derwent Inktense are bright and juicy, and suit the way I work. 
• Let the fun begin! 

I’m definitely adding a few watercolor pencils to my sketch kit (see #3).