Dave Wittekind
Interviewed by Andrew Banks
For this week's Spotlight Sunday, I had the opportunity of interviewing Chicago based illustrator Dave Wittekind. I have always been big fan of Dave's work and have a special appreciation for his really great line work and really smart use of toned papers. Thanks again for answering my questions, Dave! It's my pleasure to help share a little more about you and your work with our group:
Hi Dave, thanks so much for taking the time to chat.
I always enjoy seeing your sketches posted to our Facebook group.
ANDREW: How did you first hear about the Urban
Sketchers community and what made you decide to join Urban Sketching Chicago?
DAVE: Thanks very much for asking me to be a part of this series, Andrew. I first
heard of Urban Sketchers, I believe, through Twitter, though it may have been
another city’s chapter. I was so happy to discover that Chicago had a chapter
that met monthly. My first meetup was the water taxi outing two years ago, and
from there I was hooked. I look forward to every outing.
ANDREW: The water taxi event was a lot of fun. One of the reasons I like our group is that you end up visiting places (and in this case, taking a different modes of transportation) you may not have normally gone to had it not been for the group. I believe that is the first time we met as well.Did you sketch before finding USk Chicago? If so, when did you start sketching?
DAVE: Previous to the USk Chicago meetups, I did very little sketching on my
own, which I’m not proud of. I still need to get into the regular habit of
sketching in between meetups, though I am getting better at it. I’ve always
done preliminary sketches for my illustration work and would occasionally
sketch people on the L or in airports, but very little outdoor or architectural
sketching. During the Occupy movement, I would sometimes go downtown and sketch
the people there.
ANDREW: As a professional illustrator,
does urban sketching play a role in your day to day job? If so, how does it help you?
DAVE: Urban sketching has definitely helped my sense of observation and
sharpens my fundamental skills. Sketching also gives me a sense of connecting
to a tradition that goes back centuries. Also as a freelance illustrator, it’s
nice to get out of the studio and interact with other artists. I’ve met such
great friends at USk outings!
ANDREW: I have the same experience, working from home myself. It's always inspiring to get together with our group, with so many people who have the same passion for art and sketching as I do. I've also met some great friends along the way too!
I really appreciate the line work in this sketch. The lines are very deliberate, yet loose and highly
descriptive all at the same time. I see
this technique in much of your work. Can
you talk about this style and how you developed it? Does it tie into a particular background or
training you have had?
DAVE: Thanks, Andrew! My dad was always into drawing, especially political
cartooning, and he encouraged my early interest in drawing. Then there was Mad
Magazine, which I devoured and introduced me to the work of caricaturists like
Mort Drucker and Jack Davis.
Later, at the American Academy of
Art in Chicago, I had the late Eugene Hall as a life drawing instructor. His enthusiasm and energetic
drawing style was a big influence.
After graduation, I worked as a storyboard artist at Foote, Cone, &
Belding ad agency, where we needed to further develop a quick, expressive style
to convey action & emotion with just
a few lines.
ANDREW: Is there a specific subject
matter you are particularly drawn to or inspired to sketch?
DAVE: My two dogs are always a great source of inspiration (and they
never complain if I make their noses too
big). I’ve always been more comfortable drawing
organic things like people, animals, and foliage as opposed to man made structures. That’s why I’m so impressed with the work that you and others post
of buildings and architectural details. I’m hoping to get more comfortable in
that area.
ANDREW: What is your favorite medium to
sketch with?
DAVE: Though my illustration work for the most part is created digitally, it
always starts with a series of preliminary sketches, usually with pencil or
Sharpie. My USk sketches to this point have been done using Sharpie or Tombow
brush markers on toned paper with white conté highlights. I’ve added occasional
watercolor washes too.
ANDREW: Are there any Urban Sketchers who
inspire your own work?
DAVE: I can honestly say that everyone at USk inspires me. It’s such a pleasure
to see such a great variety of styles and medium. I also occasionally go online
and do Twitter searches for #sketchbook and #urbanSketch. It’s astounding to me
how much incredible work is being done on a daily basis. I also recently read
New York artist Molly Crabapple’s memoir “Drawing Blood”. I like the way she
uses her sketches to inspire activism.
ANDREW: If you had to narrow your sketch kit down to
your three favorite sketching tools, which would you choose?
DAVE: In the previous interview, Fred Polito said that he’d like to expand his tool set, though his watercolors are so masterful, I can see why he’s tempted to
stick with them. I feel the same way about exploring additional tools, rather
than getting too comfortable with a routine. Still, if I HAD to limit it to
three, I guess I’d have to go with toned paper, Tombows and white conté.
ANDREW: Fair enough! I threw you a curve ball there, but I can't help but agree that it's also tempting to try different media on occasion. I think it comes naturally to creative types.
ANDREW: Do you have any websites, blogs
or social media accounts where people can see more of your work?
DAVE: I have two sites. One, at http://davesink.com is my personal
Illustration website and blog, and another website run by myself and a partner,
at http://dipstickstudio.com, features graphic recording and whiteboard
videos.
Thanks again Andrew. I
really appreciate all the work you and
the rest of the USk Chicago organizers do for the group!
ANDREW: Thanks for your time Dave!
DAVE: Thanks very much for asking me to be a part of this series, Andrew. I first heard of Urban Sketchers, I believe, through Twitter, though it may have been another city’s chapter. I was so happy to discover that Chicago had a chapter that met monthly. My first meetup was the water taxi outing two years ago, and from there I was hooked. I look forward to every outing.
ANDREW: As a professional illustrator, does urban sketching play a role in your day to day job? If so, how does it help you?
I really appreciate the line work in this sketch. The lines are very deliberate, yet loose and highly descriptive all at the same time. I see this technique in much of your work. Can you talk about this style and how you developed it? Does it tie into a particular background or training you have had?
DAVE: Thanks, Andrew! My dad was always into drawing, especially political cartooning, and he encouraged my early interest in drawing. Then there was Mad Magazine, which I devoured and introduced me to the work of caricaturists like Mort Drucker and Jack Davis.
ANDREW: Is there a specific subject matter you are particularly drawn to or inspired to sketch?
ANDREW: What is your favorite medium to sketch with?
ANDREW: Are there any Urban Sketchers who inspire your own work?
ANDREW: Fair enough! I threw you a curve ball there, but I can't help but agree that it's also tempting to try different media on occasion. I think it comes naturally to creative types.
ANDREW: Do you have any websites, blogs or social media accounts where people can see more of your work?
Andrew, you really have done a great job with someone I really appreciate. So entertaining!
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