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Showing posts with label #urbansketching. Show all posts
Showing posts with label #urbansketching. Show all posts

Saturday, July 11, 2020

Back to Basics!




We Show the World, One Drawing at a Time



Sketch: Barbara Weeks



Do You See What I See?

Yes, we show the world, one drawing at a time but, our worlds can be very different! Do you live in a city? On a farm? Near the water, or mountains, or desert? Are you home-bound? Sketch from real life and show us your world!


  • You don't have to sketch everything but, you can if you choose. 

On the Chicago River-Barbara Weeks 

  • Or, just add some context to give us a sense of place if that's your preference.



Mariano Park, Chicago- Barbara Weeks


Main South HS Track Meet-Barbara Weeks



In A Nutshell

This is one of the best graphics depicting what is an Urban Sketch and what isn't! I'd love to give credit to the designer(s). If you know who it is please let us know in the comments! 



Show us your world where ever you are!

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Wednesday, June 10, 2020

Urban Sketching at Its Best


Documenting This Trying Time


Thank you to all USk Chicago sketchers who joined us on Sunday. See their neighborhoods from their personal vantage points during this troubling time. It is Urban Sketching in its truest sense.

Our Manifesto

  • We draw on location, indoors or out, capturing what we see from direct observation.
  • Our drawings tell the story of our surroundings, the places we live and where we travel.
  • Our drawings are a record of time and place.
  • We are truthful to the scenes we witness.
  • We use any kind of media and cherish our individual styles.
  • We support each other and draw together.
  • We share our drawings online.
  • We show the world, one drawing at a time.


Welcome to Our Worlds


The City


Alex Zonis

Ann Speltz

Arun Dabholka

Barbara Kay Herring 

Barbara Weeks

Eileen Martin Ferguson


Evelyn Brody


Jenny Zhang


Joann Harling


Marilyn Rugg‎


Mary Harney


Sandra Beaty

Sara Prokup


Yelina Noskina



The Burbs

Brad Bisbey


Brian Wright 


Carla Milano Nelson


Debbe Rigney-Hays


Harold Goldfus


Lynne Fairchild‎


Sherry Smith


Shruti Vijay 

Suzanne Royals


Wes Douglas



Out-of-State


Anna Rappaport

Bob Glazauskis


Heather Hultgren


Lynn Pauly

Patricia Fallon



Covid Hero 


A special thank you to Michelle Kaim. Thank you for being on the pandemic front-line. Thank you for taking some of your free time to share your sketches from the Covid unit in your hospital with us. We look forward to the time when we can all sketch together again.


Michelle Kaim 
Michelle Kaim





Want to keep up to date by email? Fill in your email address in the place provided in the upper right corner under the banner. We look forward to hearing from you.

Wednesday, April 29, 2020

Happy Anniversary to Us!


Where Does the Time Go?


In the Beginning

It seems like yesterday a small group of sketchers met at the Art Institute to sketch. We had to take refuge in Cosi because of rain. And so began Urban Sketchers Chicago!  

Eight years ago it never crossed our minds that this tiny band of five would grow into a lively group of almost fifteen hundred! Nor did we envision hosting an annual Sketch Seminar in Chicago and even an International Urban Sketchers Symposium! 


TriState Sketch Crawl at the Bean.     Photo: Bob Glazauskis

Today

It’s a good thing we’re a creative bunch; the idea of hosting virtual meet ups never crossed our minds, yet, here we are meeting online to sketch and share. We’re lucky to have the benefits of camaraderie and sketching in the Covid 19 time of isolation.

The Benefits of Sketching

  • Increases Creativity
  • Strengthens Focus 
  • Benefits Health
  • Adds to Communication Skills.
  • Increases Coordination


Here’s a link to a past post on the benefits of keeping a sketchbook.

 Happy Anniversary and keep on sketching and sharing!



Want to keep up to date by email? Fill in your email address in the place provided in the upper right corner under the banner. We look forward to hearing from you.

Saturday, July 6, 2019

Are You Joining the Party?



Tips, Tricks, Treats, and Sketching at Blicks!


Join us for the fun and comradery at Blicks. It's a great place to sketch inside and out.
Sign up here at Eventbrite and you may win a goodie bag! Of course, as always, you can just show up. If you are a newbie be sure to introduce yourself to one of the admin. We'll have our name badges on and we'd love to meet you!

P.S. There's free parking!


Sunday, March 4, 2018

Best Practices for Sketching People in Public (and not getting caught)

I am often asked how I am able to sketch people in public without getting people angry or upset. After years of sketching people at airports, on commuter trains and even while in waiting rooms, here is what has worked best for me. Perhaps one of these will work for you. A special thank you to fellow urban sketchers Ted Gordon, Angie (Haugh) Novak and Emily White for their experiences and shared tips.



1.    Sketch first, ask later. In my experience, when you first ask for permission to sketch a person, it may be met with initial resistance, or it will effect the pose you were originally attracted to. Besides, if you already have a sketch started and the person asks what you are doing, having a concrete example can work better than explaining what you are planning to do.

2.    Creative Disguising. Normally accepted disguises, such as hats and sunglasses work well to cover your gaze. The idea is to blend in, not stand out and attract attention so sunglasses in a dark restaurant or tavern might cause suspicion.

3. Sketch in a smaller book is a great way to disguise that you are drawing.

4.    Don’t Be A Bobble-head. Pick a more crowded location. If you are the only other person in the room, anything you do will be noticeable. Cartoon of head movements.

5.    Leverage reflections at night. If someone looks back at you, move your head side to side as if trying to look past them. Cartoon of subject upset, on window is warning “Caution: objects in reflection are closer than they appear.”

6.    Sketch from inside your car. Lots of people eat or have phone calls inside their car. Sad cartoon of lowly artist sketching from behind steering wheel.

7.    Sketch from an upper level, or from the side, out of their line of sight. Sketching from below is still within their peripheral.

8.    Capture first in pencil to block out the basic posture and position. Add color or shading later if you have time. For moving subjects, go for your impressions of their movements such as dancers or skateboarders at the park. 

9.    Pick subjects who are fully engrossed in their activity. Examples might include commuters on their electronic devices, a chef at work behind a viewing window, or an athlete during a sporting event.

10. Invite a friend to lunch or coffee and chat while sketching over their shoulder. I used this technique when I got together with Liz Steel while we planned out our WGN-TV interview while sitting at a coffee shop. She, of course, did the same and we sketched in opposite directions.

In the event that you do get "caught" and the subject confronts you, simply show them your sketch and allow them to look at it. Most of the time, people will be relieved that you were not taking photos and sketches are more flattering than photographs. Feel free to start a conversation with the person if the opportunity presents itself.

I'd love to hear which one works best for you and your stories of how it turned out in the comments below. 

Sunday, March 13, 2016

Spotlight Sunday – Cathy Turley

Spotlight Sunday is series of interviews designed to introduce and highlight Chicago Urban Sketchers individually. Now that our chapter has reached nearly 500 members it has become more of a challenge to meet every single member in person and have a meaningful conversation. These posts concentrate on individuals and speak in their own words.


Meet Cathy Turley!
Cathy Turley

Interviewed by Barbara Weeks

Barbara Weeks: Thanks for agreeing to this interview, Cathy. Tell us a little about yourself.

Cathy Turley: I’m originally from Kalamazoo, Michigan. (“Yes, there really is a Kalamazoo!”) I came to Chicago to go to Moody Bible Institute. I’ve lived in Chicago for the better part of 25 years. I am a graphic designer/production artist at an advertising agency. I’ve always considered myself artistically inclined, but not something I have developed regularly.

BW: What prompted you to join USk Chicago?


CT: Somehow I stumbled across the Instagram feed of USk Chicago (@uskchicago) just before the Sketch Seminar last summer. I liked the sketches I saw on the feed and when I heard about all the giveaways for the seminar, I thought, that’s a really great deal! Then I attended the seminar and I got excited about drawing again.

BW: Why do you sketch?

CT: I love it. I like trying to accurately represent something I see. It uses a different part of my brain – a different type of focusing. Plus, I like getting better and meeting other artists.

BW: Do you have a favorite sketching medium? What do you like about it?


CT: I enjoy using pencil, followed by watercolors and then black ink. Right now I’m using a student watercolor palette and LePen Drawing pens. I had tubes of paints in college but they're all dried out. I figure it’s good just to sketch with any medium at hand. I, also, like the watercolor sticks we received in our swag bags at the seminar. I want to try the Velasquez palette, just three colors, Ultramarine Blue, Burnt Sienna, and Yellow Ochre. I like the portability. 



CT: "I enjoy ornate buildings and architectural details."

BW: If you could sketch anywhere in the world where would that be?


CT: I would be a tourist artist in Paris: little folding seat, travel easel, beret(!), sitting on the Seine sketching the city. My husband and I went to Paris for our 5th anniversary. When I saw the green booksellers booths and artists along the river, I got choked up. I said, “it’s just like the movies”. It would be a dream come true to travel through Europe and sketch. Oh, Rome!

BW: What artist(s) have had the most influence on you? Why?


CT: My watercolor instructor, Jim, at the Lansing Community College in Michigan. He gave us an overview of art history, as well as teaching us watercolor techniques.

BW: We know you’re on FaceBook, do you have other social media accounts that you’d like to share?


CT: I love Instagram. Take a look: @CathyTurley. I like graffiti, architecture, knitting and drawing.



CT: "I'm working on drawing people more accurately."

BW: Cathy is a loyal attendee at our monthly sketch meets. She’s introduced herself to us, so be sure to say hi if you see her at our third weekend of the month sketch meets!


Wonder where we’re meeting next? Click on the “Sketch Crawls” tab in the toolbar. I hope you'll join us! 

Thursday, August 20, 2015

Urban Sketching Tells The Story of Our Surroundings

USK Chicago SketchCrawl at Blick Art Materials, Evanston, IL: 
In case some of you missed the story behind this sketch, this great old 1958 Triumph TR3 was sitting across from Clark's on Clark Street in Evanston. Thank you Lee Solock for pointing it out to me smile emoticon




I met the owner of the car, a woman named Amanda, when I was about halfway done with the sketch and she and her friend came out of Clark's. As they loaded into the car, I thanked her for letting me sketch her car. Surprised, she asked to see the sketch (which was only halfway done at the time) and she told me that this car has always been in the family and it was most recently her late father Chuck's. In her words "I'd really rather have my dad, but at least I get to drive his car around." He also loved to eat so now she honors her dad by driving this car out to eat someplace. 

I told her that now I was honoring him by sketching his car. Actually leaving the scene required a can of starting ether from the glove box and undoing the hood latches. Isn't it nice when a lady knows her way around a vintage car like this?


After I had finished this sketch, I scanned it and sent a copy to Amanda and she told me the rest of the story. It turns out that this little car was recently shipped in a U-Haul from Wisconsin (because a normal car carrier is too wide) and that I happened to capture this car on its maiden voyage since that trip. She said that the trip to Clark's was intentional and she had no idea that I would be there to artistically record this special day. 



Urban Sketchers Manifesto (from UrbanSketchers.org)
  1. We draw on location, indoors or out, capturing what we see from direct observation.
  2. Our drawings tell the story of our surroundings, the places we live and where we travel.
  3. Our drawings are a record of time and place.
  4. We are truthful to the scenes we witness.
  5. We use any kind of media and cherish our individual styles.
  6. We support each other and draw together.
  7. We share our drawings online.
  8. We show the world, one drawing at a time.

Tuesday, February 3, 2015

Warming up to sketch? Here are some benefits

TUESDAY TIPS & TRICKS

Anybody who has spent time amongst first responders such as firemen, paramedics, military personnel and athletes of all levels (and Chicago winters for that matter) will know that practice, drills and a proper warm up are an essential part of being ready at a moment's notice when duty calls. Practice keeps the team in shape and alert for whatever comes their way. It also lets the team leaders work out the details on how the team will communicate and perform with each other so there is clarity and simplicity across the group. Another part of the practice and drills are in becoming familiar with all kinds of probable scenarios the team may face in real life-or-death situations so that they do not panic under pressure.





Am I suggesting that sketching requires warm up and practice to prepare for life-or-death situations? Not unless you are faced with the eleventh hour of turning in your final project for master's thesis or a big client presentation. What I am suggesting is that there may be some value in warming up your hands and brain before you attempt your sketch. 

Here are some of the main benefits to warming up. What are some of your warm-ups?

MENTAL PREPARATION

  • getting yourself in the right frame of mind
  • learn to search for a scene that resonates with you
  • look for a story to tell and create a sketch that tells that story


PHYSICAL PREPARATION

  • loosen up your wrist and arm
  • increase your range of motion
  • quick studies that help synch up the hand and eye coordination
  • play around with basic shapes and scale



BUILDING CONFIDENCE

  • practice making mistakes on purpose
  • try out new ideas without fear of messing anything up
  • test out your drawing tools, make sure they are in working order and find out how they will behave on certain papers